"Welcome to Tylin, the capital of mages. Please remember that you are at a height of over 100 meters and that a great mage may be conducting world-changing experiments behind the stone wall at your hand. Please beware of strong winds and explosions, and all magical 'little accidents' you may encounter. If needed, please go to window 3 to purchase life insurance before you begin your journey."
The Days Without Gods is a text-based DND fantasy ADV in which the player takes on the role of Mori Granson, an apprentice and subordinate of Hysso, the president of the Magic Association, and meets Coccinea, a young girl he rescued years ago, and other characters in the mage capital of Tylin.
While on an adventure with them, the protagonist will have to help them build a good relationship with each other and try to form an unrelated family, the Granson family - will he succeed?
Two hundred years after the departure of the gods, the Mage Capital stands as an anomaly in the southern lands, and mages think they are changing the order of the world. And it's not a small thing that happened in an unrelated, unusual family in Tylin. Is "with you, never apart" a lie, or a prayer offered to the gods?
It is now G.L.196, 196 years have passed since God chose to leave this world, 147 years have passed since Archmage Papan re-analyzed the magic world, 126 years have passed since the establishment of Tylin, and now it has come to Industrialist Archmage Hysso to lead Tylin’s era. Magic has now become a big business compared to the barbaric days when all you wanted to do was throw fireballs at the heads of dragons and goblins. Water supply? Energy? Security? Transport? You can leave anything to the almighty Ivory Tower. Here, only you can't imagine that it can't be done without the ivory tower.
However, this is still the world of swords and magic. Even if they are stained with money, they are still mages full of unknowns and Romans. And now that the gods have departed, every head lacks the root muscle is peering into the void they left behind.
This of course has nothing to do with the families of ordinary people who make a living in Tylin. One such family is that of Mori Granson, and Mori, the head of the family, has troubles slightly beyond the scope of "every family has a skeleton in the cupboard”. How will Mori, who is approaching his thirtieth birthday, pick up the bitter suffering he left himself after being tied to the gods, the twisted products of fanatics who cling to their power even after they have left.
"Mori, you're never leaving, are you?"
